bits and bobbins

here ya go, so sorry for the hiatus.
blame the germs!

love,
tricia

this here is the ORIGINAL and OFFICIAL weekly wardrobe_remix recap of the latest and the greatest from the wardrobe_remix community, from yours truly, the creator of wardrobe_remix!

any wardrobe_remix photos that find themselves here showcase great style + great photography = the two meet and merrily marry to make a perfect expression of YOU and your singular personal style! and i’ve said it a million times before, it’s not what you wear, it’s how you wear it…the ticket is the confidence and sureness you exude when you express yourself the way that makes YOU feel most comfortable. that confidence shines through and is captured on film. so whether you’re wearing couture clothes from the finest designers, mass market threads, stuff you made yourself, thrifted finds, or even a shirt you stumbled across on the side of the road…rock it! it’s ALL GOOD and it’s ALL WELCOME at wardrobe_remix!

greeen sheeep:


.elsie*cake.:


monicaburnett (who just started her own line, gwiin!):


loveatfirstshop:


Milupka:


Mochachocolata-Rita:


la petit franc:

thanks to everyone who’s been posting about wardrobe_remix or featuring fashions and folks from the group in their own blogs or websites. thanks for getting the word out. i am glad that wardrobe_remix inspires you! remember to give credit to the people in the aforementioned photos (if you use them in your blog posts, etc.) and to wardrobe_remix itself. it’s good internet/blogging karma! (plus it actually goes with flickr’s terms of service and a little thing called copyright!)

remember: you can click on the photo of any of these terrific wardrobe_remix(ers) to learn more about their photo or outfit, explore their flickr photostream, and beyond. all of the photos are owned by the awesome people who are depicted in them, of course!

join us over at wardrobe_remix and show off your awesome EVERYDAY trendbusting and trend-SETTING personal style!

spread the word!

and see you there!

mostly unknown fact (unless you’re a particularly astute reader with a devilishly good memory): i’m sickeningly, hopelessly facinated with the biology of the human body. in my free time, i literally devour books on medicine, human biology, and watch everything interesting on the same on the telly. i wanted to be an MD when i was a wee girl.

couple that with with my thing for all things fiber…and you can see why i am obsessed with this knitted brain, heart, and intestines by artist sarah illenberger:

i think the use of yarn to fashion faux organs is a particularly sensitive, deeply metaphorical choice with a dual meaning: said yarn is soft, it’s gauge delicate, echoing the equally delicate nature of our innards, sitting protected in our body cavities. but conversely, the choice to sculpt these organs out of yarn with the medium of knitting suggests strength: our organs are resilient, tough, capable of keeping most of us ticking, thinking, moving along in a myriad of ways daily, and for decades.

see also: this slightly less poetic looking (though equally as cool) knitted digestive system by matie trewe (via craftster.org)

for about six months now, i have loosely committed myself to reading biographies about artists, particularly women artists. this commitment is not one that started intentionally, it has merely become a serendipitous trend over the past several months, and i’m going with it. more something that i’ve stumbled upon, that i am really loving.

it started with frida kahlo, whose bio i devoured in december and january (or thereabouts). now, due to some chance finds at local san francisco thrift stores, i have moved on to georgia o’ keeffe.

i absolutely adore reading about artists, particularly these women artists, and how their strong personalities and amazing life experiences affect their work. after reading the kalho book and nearly completing portrait of an artist, about o’ keeffe, it occurred to me that these artists, and others like them (female or male), have at least one shared secret to their success:

they have a clear and nearly unwavering commitment to their own personal aesthetic vision, and to the way they want to live their lives. they have strong opinions about politics, art, and personal expression.

but what really excites me (from a fashion perspective) about these two women (and perhaps more women (or men!) artists i’ve yet to read about!) is this: in the case of both o’ keeffe, and kahlo, there is a direct and strong connection between the art that they make, and how they express themselves through their personal being and personal style.

i wrote about kahlo and the artful way she dressed herself here. but i want to now turn to o’keeffe, whose simultaneously lush and passionate though controlled and ascetic style is evident even in her everyday attire.

here is a passage from portrait of an artist: a biography of georgia o’ keeffe by laurie lisle concerning o’ keeffe’s unique fashion sense/ personal style, love of color, and amazing resourceful side that i particularly love and want to share with the world at large:

For years Georgia had stitched most of her simple clothes out of the finest fabric, often sewing when she wanted to think. She made luxurious white silk blouses, white cotton nightgowns with white embroidery, and petticoats edged with white lace. In cold weather she donned a black wool coat with a collar that buttoned up to her chin and black gloves of the best leather. At one time, she sported a pair of black bloomers under a tentlike black tunic. Throughout the years, when asked the reason for her monotone clothing -odd for a painter- she gave several, all with some truth to them. Once she said that if she began to choose colors to wear, she would not have time to pick any to paint. Another time she explained that she was so sensitive to color that if she wore a red dress, she would be obliged to live up to its flamboyance. She claimed she liked being cloaked in anonymity. “There’s something about black,” she remarked. “You feel hidden away in it.” Deadly-serious black also served to transmit the message that she was not to be treated frivolously or flirtatiously. Also, she must have realized that if her clothes were one color, they would match and she would achieve a look of maximum elegance with a minimum of time and money.

O’ Keeffe was a woman painter in an early-twentieth century modern art world that was undeniably dominated by men. In order to be taken seriously in this context, it seems to me that she embraced her propensity to be sort of masculine and strong through what she wore: what was primarily a wardrobe of black and white, luxurious but spare clothing. Over time, her hair was also worn in a very spare, even severe style, pulled back straight from her forehead. She wore little to no makeup, and plucked nary a hair. She unapologetically faced the world as she was, standing tall. Some even compared her to a nun. This front she created was significant and in marked contrast to what most other women in the late 19th and early 20th century donned: ladies of the day throughout many of a decade often wore vividly bright and flamboyant colors and patterns, depending on the fashion at the time. O’ Keeffe wanted to set herself apart, wanted to appear almost mannish, wanted to lessen the importance of her clothing and let her powerful, colorful work take center stage.

however, it seems clear that in not wanting to indulge the fashion of the day, she embraced a particular, idiosyncratic personal style that she actually worked very hard to maintain, for most of the rest of her life. She cared greatly about how she would be perceived in the world at large and fashioned a look that reflected her persona and how she chose to make her art, but at the same time, never really conceded to the fashion trends of any of the decades she lived through (and they were many…she lived to her 90s!). she always stood steadfastly, even defiantly apart from the crowd, and did not mind that one bit.

next up on my reading list of women artists? this tome about coco chanel.

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