current TV: haiti's 'pepe' (aka secondhand clothing) market


phalla (one of my awesome commenters) left a comment on my last (not so) random links post giving me a link to a short documentary about 'pepe' or secondhand goods in haiti. it was featured on current tv.
it's fascinating to see where secondhand goods go, where exactly they end up, and how people perceive and use said goods in a given culture...what place they have in the marketplace. here, in haiti, or really, anywhere (see also: that aforementioned (not so) random links post and it's mention of how secondhand was and is currently looked upon in poland).
in haiti, according to one of the women interviewed in the video clip, secondhand goods are more popular than new goods for an economically compelling reason: buying pepe is cheaper than buying new clothing in that impoverished island nation.
also, note the bit where the woman mentions that some in haiti are/were reticent to buy/wear pepe because they felt that the clothing retained the spirit of those who had originally worn that clothing. folks didn't want to take on the former owner's bad juju, and the like. but some have gotten over such hangups, particularly after they got a taste of some super sweet "hollywood pepe". *grin*

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on that second to last note:
what do you think? do you think that secondhand clothing holds some tangible memory of it's former owner or wearer? does the fact that clothing has been worn before by another person seem distasteful? i know a lot of folks reading would probably not give a stitch about such things, but surely there are some out there who think the idea of wearing used threads (or certain used threads!) is a bit too much? prey tell us why ye feel that way, if you don't mind!
personally, i always loved the idea that something had been owned before me, being the historian, culturally curious type of gal i am. i like to wonder about a garment (or object's) former life, it's former owner, what their story was, how that piece fit into their life, how they wore it or used it. or didn't use it (as the case may be when you find a fairly mint thing now and again). and giving something old a new life, well, the really delicious icing on the making use of secondhand cake, as it were.

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thank you very much, phalla!

tracey neuls: [dip] dyed

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i've long been a fan of the footwear stylings of british cobbler tracey neuls. she creates foot fashions under her own name, as well as the moniker tn_29, the latter being her arty, conceptual line (the current season of said additional line is inspired by the work of joseph beuys). tracey creates handmade shoes that have a thoughtful, idiosyncratic, arty vibe.
these dip-dyed kicks really resonate with my own personal tastes: i love the pairing of the neutral, natural colored leather and the pops of intense color that cap off each end of the shoe. that indigo blue! so perfect, so reminiscent of the color of inky, dark raw denim (would go great with such, too!). the shapes she uses are classic, but each pair seems to embody a design twist that makes it's look individualistic and totally tracey neuls. on that note, see the shape and construction of many of her heels: the heel and main part of the shoe appear to be as one. the result makes her shoes look a little different. different is (always) good.
you can find some of tracey neuls' work (and other great footwear lines!) at canadian retailer gravity pope.

west/feren: clutch {it}

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(images via west/feren)


i'm all about these unapologetically bold clutches from west/feren, and why? because of the screamingly bright colors and the sliver of african-influenced fabric utilized in the closures. yum.
when i actually had places to go, people to see, and the like, i loved carrying a clutch. the clutch almost literally screams "night out on the town"...they are a frivolous little frippery that loves nightlife, a counterpoint to those myriad and dominantly utilized daytime practical totes and satchels.