clothing (as memorial): passage quilts

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(images via passage quilts.com)

dear ada, one of my favorite art blogs, posted recently about passage quilts...quilts made from the clothing of those who have made a passage in life (i.e., a birth, wedding, death, or perhaps a retirement or recovery from an illness, etc.). these quilts serve to commemorate and/or honor those passages, or those people.
according to the passage quilt website, each quilt...

"[begins]with the architecture of the clothing, these quilts are pieced without a predetermined pattern. this process provides the maker an opportunity to examine his or her life patterns.
the resulting quilts reflect the relationship of the maker to the materials, retain a sense of the body, and in the case of bereavement, carry the consoling essence of the beloved."

many of the quilts on the passage quilt site honor a deceased person, and employ clothing that that honored individual wore during his/her lifetime.

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i love quilts, i love quilting. i feel that quilting can be and really is an art in its own right. and i'm clearly fascinated by clothing, fashion, style, and the meaning of all those things, in a broader sense.
the fact that these quilts use a person's clothing as the source for the fabric, delights me, as they are a deliciously meaningful intersection of my own personal interests.

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i look at these passage quilts, like the ones above, and think:
clothing, in and of itself, is meaningful, rife with messages. even hanging on a hanger, apart from a person. it's style, craftsmanship, source (check the tag!) all suggest a story.
but when we step inside of our clothes, make them our own, take them into our fold, and our closets, and fill them out, mixing and matching and layering them with other things we own and love and feel the need to wear (either by custom or choice), we give our clothes even more meaning. our clothing speaks louder, and with more complexity, with us inside of it. we form our own stylistic language, give even subtext to the story the clothes already embodied, sans our bodies.
and our clothing, once we have worn it, also has meaning for others around us: our familiars...our families, friends, colleagues, acquaintances. they see us in certain pieces of clothing, and they add a visual memory of each piece, each look we don, to their own (sub)conscious, collective memory of us, of who we are and were. when we shuffle off this mortal coil, we may (and often do) leave behind the fibers we once wore. they can help our memory to live on, in the minds of those who loved us. we can, in a sense, keep speaking, can keep telling the stories of who we are, or once were, once we are dust.
the somewhat haphazard, improvisational piecing of the quilts shown above also strikes me as being like memory too...little shards of this garment or that garment in the quilts are, in most cases, arranged in an organic fashion. memories and thoughts themselves are not always linear, they come in fractured, incomplete flashes, not always in a sensical order. they aren't always beautiful (together or apart), they don't always make sense, but in the end, they are personal, and when put together, make a powerful statement about the story of a person's life.

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what would your passage quilt look like? what would it say about you? what would you like it to say about you?
what pieces of your clothing would you want to have included in such a quilt?

(not so) random links

-according to the new york times, ugly is the new beautiful. evidently, a recent rash of articles, books and papers have been penned on the subject of ugliness. long a neglected subject of study and interest, pondering ugliness and at times, celebrating the less than perfect/beautiful is now de rigeur.
which got me thinking...
-can ugly be fashionable? -or, is ugly (already) fashionable? -in what ways is ugly now fashionable? (i immediately think of the old/outdated/"ugly" coming back into fashion again, i.e., the ironic, hipster-favored trends of the last couple years...)
-is ugliness, like beauty, merely in the eye of the beholder?
-or, can one argue that are there specific, solid, irrefutable standards that define beauty, and it's allegedly less attractive stepsister, ugliness?
-what does this alleged fascination with ugliness say about our culture? has something significantly shifted? or is the passing fancy with "ugly" just that, a passing fancy?

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-some speculate that the long coveted size zero figure is perhaps trending towards going the way of the dodo (at least for a little while) (via the times online). a culture-wide fascination with a more voluptuous figure is now on the rise, in some fashion and fame circles, anyway. as to what is exactly meant by "curvy" to these fashion folks is up for debate, but some say the bony girls that have dominated the runways in past years have been told, by some fashion designers and editors, to take off, in order to make room for women with a "bigger" presence. how long this ("new") obsession with curves will last is anyone's guess, but if it's true, it's certainly worth noting.
my questions:
-could this new fascination with curves (and "realness") in fashion be a reflection of the turn our culture is taking in a general sense? are people craving "realness" in aesthetics at the same time they are asking for "realness" in economics, politics, and beyond? in times of leanness, do we sometimes value that which looks even a little bit excessive? i put this idea forward in light of how the impossibly skinny reigned so long in the inflated, excessive years most recently past. i also think of how even further back in history, "rubenesque" women were celebrated in leaner times, as their shape suggested wealth and easy access to resources...
see also: even in a reeling economy, the rich spoiled brat is a fashion and cultural heroine (via the new york times)

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-psfk, in a recent post, posited that the DIY lifestyle will become culturally mainstream as the economy slides ever downward. i've suggested this many times here on bits and bobbins over the past few years (and feel like they are thus a little behind the times in suggesting this, but nonetheless)...
i wonder:
-IS the DIY lifestyle indeed becoming more mainstream? in what ways? posit, if you please.
-are more people taking classes, and consulting books, the internet and other resources in order to educate themselves on ways to DI(y/themselves) instead of buy, buy, buying or employing the services of others (things they may have done in a bull market)? can (or has) this increase be(en) quantified? surely, someone has done research in this area...?

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the quick and dirty stuffs:
-i am sure you street fashion fan girls (and guys) will be glad to hear that the sartorialist's scott schuman has allegedly scored himself a book deal (via farpitz, via fashionista). a nice coffee table coup for someone who doesn't even consider himself a street fashion photog. not my cup o' tea (i rather loathe the guy and all he stands for), but i'm passing on the word to you anyway.
-treehugger has crafted a huge, multi-part guide to greening your wardrobe, chocked full of suggestions, stats, and sources. well worth a major peruse on your part.
-word of the elder-focused street-style blog advanced style has been making the rounds...i'm mentioning it here with the intention of giving it another spin. genius idea...sartorially sassy and snazzy grandmas and grandpas duly deserve recognition and accolades.
-LOVE this idea for shredding a tee (really, it's just knits "laddering", but anyway!) from childhood flames. someday i'd love to give it a go.
-these scarves made by spool sewing using quilt/knit master kaffe fassett's shot cotton fabrics are stunning...they feel utterly modern with their deconstructed looks. and oh my, the colors...luscious.
-a fab idea to fashion a few decopage decorated bangle bracelets, here, on one pearl button (via whip up)

junya watanabe's afro edwardianism

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i saw a mention of junya watanabe's spring 2009 collection via a post on sea of shoes...and after taking a peep at his whole upcoming kit and kaboodle on style.com, i'm smitten. if you know me, you know i'm not big on posting photos of runway shows or collections (because i don't generally follow any trends, and don't pay attention to too many designers as a rule), but sometimes, one has to make exceptions. :)

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so, on that note, i'll indulge and muse a bit.
junya's most current collection appeals to me for the following (personal) reasons:
-i've had a love affair with all things aesthetically african for some time now, particularly african textiles, and even more particularly, ghana's famous wax prints. i adore the unapologetically bright, saturated colors and graphic prints that adorn such textiles...they speak directly to my own aesthetic tastes and what i tend to wear as a general rule. junya's concocted his own version of these idiosyncratic wax prints, thus making what influenced him his own, so to speak.
-i have long a soft spot in my heart for destroyed and restyled denims, like the ruffled edwardian-esque skirts and jackets in junya's most recent collection. apparently he's known for that sort of thing: taking things apart, and putting them back together again in innovative ways. i've been a fan of similar restyled denims since at least the late 1990s, when jean-skirts (skirts made from restyling a pair of jeans) were a ragingly popular retro trend (they were originally popular in the late 1960s/early 1970s). i made piles and piles of varied skirts out of jeans and pants, and once made this denim patchwork skirt out of a pile of varied denim jeans i found at the racks of my then local thrifts. makes me want to do up another skirt like the one in the above link again, perhaps using brightly colored or acid wash denim instead...or play around with remixing denim again. (when i can find the time (again)! hahaHA!)
-there's something really over the top and sort of regal about those organic headdresses worn by the models in junya's spring 2009 show, they are almost like crazy, ginormous cocktail hats. and i find that appealing, the extreme scale of them, the inventive use of natural materials. at the same time they kind of evoke a feeling of peasantry, of village life...
-and hello, in junya's world (and mine), dresses and skirts over jeans still reign. i grab on to something, i don't let go... :)