(quick) fashion question(s): who is fashion for?

i have had this subject on my mind for a while: the relationship of class, social status/rank, and fashion...and how fashion firms see themselves and their target demographic. as well as how the wearers of clothes, meaning, you, me and everyone else out there, really, see themselves in the (inherent?) symbolic ranking system of fashion and style. -is it really only (or should be only) for the skinny, tall, young, famous or wealthy? are those special folks the only ones who are fit or entitled to enjoy fashion, the only ones who should be allowed to wear "nice" clothes? why or why not?

-as an astute commenter mentioned on style bubble's recent post, hogg roasted, is there a certain "physical archetype" to whom fashion belongs? has this person or body type changed over time? if so, how? should they be the only ones who are "allowed" to participate in the fun of fashion, especially high or luxury-level fashion? do luxury clothing firms perpetuate this notion?

-are clothes used as class markers? that is, does the source of our clothes define which class we belong to? do expensive clothes make us look rich? do cheap clothes make us look poor? is it a matter of the hirarchy of materials (i.e., fine materials look expensive, and low-cost materials look cheap), or is there more to it than that? if so, what? do some people use clothing as a way to separate themselves from other, often lower classes, or vice versa? is this a new development in fashion, or, is it perhaps one that has been existent since humans began donning clothes (i'm going with the latter myself!)?

-how much control can a designer have over who wears their designs, and in what way those individuals wear them? or how they behave in them? is money a factor in this? does one's income determine whether they will ultimately have access to a certain type of fashion?

etsy love: softspoken

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i know of miss softspoken from wardrobe_remix...she's been a contributor there for many years now. she's got a savvy eye for stellar vintage pieces (see that superb old multicolored liz claiborne bag she's selling, shown above)...but where she soars, i say, is with her lovely hand-crocheted hats and other accessories. lookit those bobbles! delicious.
summer is my least favorite time of year, it's too hot and steamy and sweaty (in NYC at least)...and all during this stickiest of seasons i daydream about the cooler days to come and all the sartorial possibilities inherent to thus. softspoken's hats are the just the kind of thing, the perfect textural, colorful winter pieces, that i see in said (day)dreams. too too good.

(vintage) book peeks: fabric printing

vintage book peeks: fabric printing
vintage book peeks: fabric printing
vintage book peeks: fabric printing
vintage book peeks: fabric printing
vintage book peeks: fabric printing

here's another installment of book peeks! this time i'm showing off some pages from another one of my vintage books, fabric printing by lotti lauterberg. it's straight out of the late 50s, early 60s (it was published in britain in 1959, and in the US in 1963), and has a great mid-century mod vibe. if i remember correctly, i picked it up at chamblin's book mine, a HUGE and amazing used bookstore in jacksonville, florida.
what i think is particularly inspiring about this book and the images within it (besides the killer/covetable period interior shots and the awesome period furniture!) are the illustrations of how to put together graphically punchy, simple-to-do block prints...amazing results can be achieved with very little effort/prior knowledge. cut up a potato and play around, or carve a lino block, and make a repeating motif...too, too easy! ways i can imagine using these techniques on clothing:
-making a "yoke" or "waistband" at the top or middle of a dress with (your choice of) geometric shapes...maybe even make a wide band of shapes or a design at the hem of a dress or skirt?
-making one's own hand-printed fabric to make a whole dress, or to add punch to certain details on a garment, like sleeves, pockets, belts, or trim
-or, you could even completely cover or partially decorate a ready-made (maybe thrifted?) garment with said hand-printed motifs. imagine making a simple shape on the front of a tee, like a heart made of hearts, a circle made of circles, or a triangle made of triangles, for starters...
-on that last note, check out this killer DIY on how to cover a cheapy dress via potato printing by caitlin mociun that was featured on refinery 29 about a month ago. me love!

-also, also: see: lena corwin's printing by hand: a modern guide to printing with handmade stamps, stencils, and silk screens, one of the most beautiful (and informative) books on printmaking i have ever seen.